We were delighted to launch a new book at the Woodstock Literary Festival, our first book dedicated to the history and development of the gardens at Blenheim Palace. Jeri
Bapasola has spent many many months researching new material for
The Finest View in England: The Landscape and Gardens of Blenheim Palace - now out in hardback! While many of us know the broad brush-strokes of the big players (Henry Wise, "Capability" Brown and
Achille Duchenne), Jeri has unearthed - mild pun intended - a wonderful wealth of detail on many other important contributors, not least several Dukes and many wonderful head gardeners.
Jeri has been one of the jewels of our business - an inspired researcher with a deep love of Blenheim Palace - who has produced a series of popular Blenheim Palace books (my favourite is
Household Matters about the lives of the servants of the Palace) but this new book is her biggest opus yet. Watching her labour over the book is a little like watching someone go through pregnancy and labour (well, the view from outside the birth suite anyway - I'd probably be better to limit this particular metaphor). Yet she does it by choice and without getting a penny in royalties - simply happy to research the subject she loves and leave behind her a wealth of publications recording for posterity the stories she has uncovered and told.
For those of you who missed her launch and talk at the Woodstock Literary Festival (at which she was regaled by those Spencer-
Churchills present), we will endeavour to persuade her to do some themed talks for our Annual Pass holders..... In the meantime, you will have to
buy the book!
These books are all published by us rather than a third party, which means we take on the financial risk of printing everything up front - quite a commitment. But it was a relatively easy decision for a book filling a clear gap in our portfolio. As we stared at the main publishing business models, a friend pointed out that there was an older approach - publication by subscription. In older times, the first edition of a book would not be printed until a group of subscribers had been found to cover the cost of that first edition. the author would go to friends and sponsors, explain what the book was about and persuade 200 of them to pre-buy first editions in return for being named as a subscriber. If it then proved popular, the profits from the first edition would be reinvested in a second edition, which would be printed speculatively and so on.
Well, being a prudent (or mean, depending on your perspective) finance director, I persuaded Jeri and Odette Christie de Rivas (in our retail team) that this was the way to go. Did it work? Well, partly. We ended up with about 100 subscribers - whose names are beautifully printed in the front of the book - which both paid for a reasonable % of the print costs and also gave us confidence that the book would sell.
However, finding the subscribers was very hard work. Interestingly, writing to some of our Annual Pass holders produced slightly disappointing results, and an email shot to the rest of the database was even more disappointing. However, a Friends of Blenheim Palace cocktail party listened to a speech from our Chief Executive about news from Blenheim, in which he highlighted the subscription opportunity - and this speech triggered a rush of people into the arms of our waiting retail team and author and a lot of subscriptions. Obvious in retrospect, but not at the time, the vast majority of subscriptions were gifts to other people.
I suspect we will try this route again, applying our learnings from first time around. It was an interesting exercise which produced interesting insights into the level of engagement wanted by our visitors.
For those who did subscribe (including She Who Must Be Obeyed), they have the pleasure of both a very good book but also the knowledge that they have left their permanent mark of support on what will always be the definitive account of the gardens here at Blenheim Palace.
So, to Jeri, Odette, our retail team and all our subscribers - a big thank you!
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